In 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire Wea. “Problèmes d’amour” went on to become a “cult track” of dance music.[1] In 1984 he joined “Giovanotti Mondani Meccanici” a multimedia oriented group and composed soundtracks for theatre works, videos and video installations. He also composed soundtracks for films and theatre works by Italian directors such as Alessandro Benvenuti, Antonio Climati, Marco Mattolini, and Marco Risi. In 1987 he turned his interest to World Music, and for the next decade collaborated with African, Kurdish and Indian musicians. In 1994 Robotnick began to work with the Indian Italian band “Govinda” leading to the production of two tracks “Devotion” and “Transcendental Ecstasy” for Govinda’s first album “Selling India By the Pound”. In summer 1995 he conceived and organized the first Ambient Music Festival in Florence at Anfiteatro delle Cascine. In 1996, with Nazar Abdulla and Rashmi Bhatt, he created “The Third Planet”, a multi ethnic band that blended traditional music from Kurdistan, Algeria and India with modern sounds. With “The Third Planet”, he produced two albums, “Kurdistani” and “The Third Planet”. The band gave numerous concerts in Italy. In 1997 his collaboration with Lapo Lombardi and Ranieri Cerelli lead to the “Alkemya” project, releasing an album with CNI. In 2000 he created his own label, Hot Elephant Music. At the same time, he and Ludus Pinsky (Lapo Lombardi) explored new sounds and technologies, resulting in the production of Underwater Cafè. He also produced E.A.S.Y. vol.1 (Elephants Are Sometimes Young). In 2002 he returned to the “Electro” style of his musical début, producing “Oh no…Robotnick” in collaboration with Max Durante. The album, despite its dark humor, so typical of Robotnick’s early tracks, was insufficiently disco dance and fashion conscious and therefore received mixed reviews. In 2002 he released “Melt in Time”, the third album by The Third Planet in collaboration with Nazar, Paolo Casu, Arup Kanti Das and Smail Kouider. In April 2003 he started to DJ, an activity he had never previously considered. In summer 2003 he worked with Kiko and The Hacker on a new track, “Viens Chez Moi”. In October 2003 he published “Rare Robotnick’s” a collection of his vintage tracks. In February 2005, with Ludus Pinsky (Lapo Lombardi), he released Italcimenti Under Construction. In October 2005 he started his collaboration with Creme Organization (NL). They released Krypta 1982 (Rare Robotnick’s 2) a couple of 12″ including a remix by Bangkok Impact (Clone distribution). In May 2007 he released a CD, “My La(te)st Album” (Hot Elephant Music). In March 2008 he released “I’m getting lost in my brain”, a compilation of remixes taken by Detroit Grand Pubahs, Kompute, Microthol, Robosonic, Lore J, Italcimenti, Alexander Robotnick from his latest album. In 2008 he remixed Little Boots’ track “Stuck On Repeat” released in December 2008. [2] In March 2009 This Is Music LTD released “Obsession For The Disco Freaks”. In February 2009 Alexander Robotnick and Ludus Pinsky assembled their personal analog synths to organize and perform an analog session. Intending to recreate the purely analog sound of the 70s and early 80s which the two artists consider to be the true “electronic sound”. The DVD+CD was released by This Is Music LTD in June 2010 : The Analog Session
In 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire Wea. “Problèmes d’amour” went on to become a “cult track” of dance music.[1] In 1984 he joined “Giovanotti Mondani Meccanici” a multimedia oriented group and composed soundtracks for theatre works, videos and video installations. He also composed soundtracks for films and theatre works by Italian directors such as Alessandro Benvenuti, Antonio Climati, Marco Mattolini, and Marco Risi. In 1987 he turned his interest to World Music, and for the next decade collaborated with African, Kurdish and Indian musicians. In 1994 Robotnick began to work with the Indian Italian band “Govinda” leading to the production of two tracks “Devotion” and “Transcendental Ecstasy” for Govinda’s first album “Selling India By the Pound”. In summer 1995 he conceived and organized the first Ambient Music Festival in Florence at Anfiteatro delle Cascine. In 1996, with Nazar Abdulla and Rashmi Bhatt, he created “The Third Planet”, a multi ethnic band that blended traditional music from Kurdistan, Algeria and India with modern sounds. With “The Third Planet”, he produced two albums, “Kurdistani” and “The Third Planet”. The band gave numerous concerts in Italy. In 1997 his collaboration with Lapo Lombardi and Ranieri Cerelli lead to the “Alkemya” project, releasing an album with CNI. In 2000 he created his own label, Hot Elephant Music. At the same time, he and Ludus Pinsky (Lapo Lombardi) explored new sounds and technologies, resulting in the production of Underwater Cafè. He also produced E.A.S.Y. vol.1 (Elephants Are Sometimes Young). In 2002 he returned to the “Electro” style of his musical début, producing “Oh no…Robotnick” in collaboration with Max Durante. The album, despite its dark humor, so typical of Robotnick’s early tracks, was insufficiently disco dance and fashion conscious and therefore received mixed reviews. In 2002 he released “Melt in Time”, the third album by The Third Planet in collaboration with Nazar, Paolo Casu, Arup Kanti Das and Smail Kouider. In April 2003 he started to DJ, an activity he had never previously considered. In summer 2003 he worked with Kiko and The Hacker on a new track, “Viens Chez Moi”. In October 2003 he published “Rare Robotnick’s” a collection of his vintage tracks. In February 2005, with Ludus Pinsky (Lapo Lombardi), he released Italcimenti Under Construction. In October 2005 he started his collaboration with Creme Organization (NL). They released Krypta 1982 (Rare Robotnick’s 2) a couple of 12″ including a remix by Bangkok Impact (Clone distribution). In May 2007 he released a CD, “My La(te)st Album” (Hot Elephant Music). In March 2008 he released “I’m getting lost in my brain”, a compilation of remixes taken by Detroit Grand Pubahs, Kompute, Microthol, Robosonic, Lore J, Italcimenti, Alexander Robotnick from his latest album. In 2008 he remixed Little Boots’ track “Stuck On Repeat” released in December 2008. [2] In March 2009 This Is Music LTD released “Obsession For The Disco Freaks”. In February 2009 Alexander Robotnick and Ludus Pinsky assembled their personal analog synths to organize and perform an analog session. Intending to recreate the purely analog sound of the 70s and early 80s which the two artists consider to be the true “electronic sound”. The DVD+CD was released by This Is Music LTD in June 2010 : The Analog Session
Amin Peck (also written Amin Peck) is a disco act consisting of Giorgio Fiorini, L. Parker and Max Marne.Amin Peck recorded the hits “Girls On Me”, “Anxiety”, “Suicidal” and “Love Disgrace”.|
Amin Peck (also written Amin Peck) is a disco act consisting of Giorgio Fiorini, L. Parker and Max Marne.Amin Peck recorded the hits “Girls On Me”, “Anxiety”, “Suicidal” and “Love Disgrace”.|
Amin Peck (also written Amin Peck) is a disco act consisting of Giorgio Fiorini, L. Parker and Max Marne.Amin Peck recorded the hits “Girls On Me”, “Anxiety”, “Suicidal” and “Love Disgrace”.|
Andy Oppenheimer is a singer songwriter of electronic pop music[3] since the early 1980s, when he formed Oppenheimer Analysis (OA) with producer Martin Lloyd, who had recorded as Analysis with Dave Rome. In 2005 Oppenheimer Analysis re formed and released an EP of early material on the New York based Minimal Wave label. The EP, which was Minimal Wave’s first release, entered its fourth re pressing in 2014. Martin Lloyd died in 2013.[4][5]Andy now writes and records songs as Touching the Void with veteran producer Mark Warner (of Rossetti’s Compass and formerly of the 1980s band Sudeten Creche) and as Oppenheimer MkII with producer Mahk Rumbae (of experimental electronic band Konstruktivists). Oppenheimer MkII released their first album The Presence of the Abnormal in 2012 .The first Touching the Void album, Love, Longing and Loss is due for release in 2015, having released their first EP Obsession earlier in 2014 and the first single, Parallel Lives, in 2013. Oppenheimer has also painted pictures from childhood and his surrealist works were featured in several exhibitions in London in the late 1990s.
Anne Charlotte Clark (born 14 May 1960, Croydon, London, England) is an English poet songwriter and electronic musician. Her first album, The Sitting Room, was released in 1982, and she has released over a dozen albums since then.Her poetry work with experimental musicians occupies a region bounded roughly by electronic, dance (techno applies on occasion) and possibly avant garde genres, with varying hard as well as romantic and orchestral styles.Clark is mainly a spoken word artist. Many of her lyrics deal critically with the imperfections of humanity, everyday life, and politics. Especially in her early works she has created a gloomy, melancholy kind of atmosphere bordering on weltschmerz.
Art Fact was a Stockholm, Sweden based electronic group formed c:a 1984. During the following 10 years Art Fact released three cassette demos and participated on two compilation CDs from Swedish label “Memento Materia”.Members during Art Fact’s life span were:Måns Jonasson vocals, keyboardsAnders Ljung keyboards, guitarJonas Embring keyboardsOlof Söderström keyboards, vocalsStaffan Söderman keyboards
Asha Puthli is an Indian born singer songwriter, producer and actress.Best recognized for her daredevil vocals on the “Science Fiction” album by jazz iconoclast Ornette Coleman, Asha Puthli has recorded ten solo albums for labels like EMI, CBS/Sony, and RCA. She is a ‘world music’ pioneer and an intrepid cosmopolite.Her recordings, which span styles like blues, pop, rock, soul, funk, disco, and techno, have been produced by the likes of Del Newman (who has produced Elton John and Cat Stevens), and Teo Macero (who has produced Miles Davis and Vernon Reid).
Bereits 1984 wurde Astrea Redux gegründet. Inspiriert von der damaligen Zeit entwickelte AR einen eigenständigen avantgardistischen Sound der teilweise in Zusammenarbeit mit John Foxx (Ultravox) entstand bzw. produziert wurde. Gerade diese professionellen Demos mit ihrem hochromantischen/ minimalen Flair sind neben dem Longplayer “Language” auf der “Fractals” CD in den Plattenläden erhältlich. Seit 1995 arbeitet der Gründer Axel Treusch (Endzeit) mit Oliver und Christian Münch (A New Ground) zusammen wobei 1999 beide Bands verschmolzen und im gleichen Jahr das Doppel Album “So Very Distant” erschien. Ein Meilenstein der deutschen Musikszene…”..stell Dir vor, Ultravox, Depeche Mode und Dead Can Dance nehmen eine Platte auf…. das Ergebnis könnte Astrea Redux sein”
Bereits 1984 wurde Astrea Redux gegründet. Inspiriert von der damaligen Zeit entwickelte AR einen eigenständigen avantgardistischen Sound der teilweise in Zusammenarbeit mit John Foxx (Ultravox) entstand bzw. produziert wurde. Gerade diese professionellen Demos mit ihrem hochromantischen/ minimalen Flair sind neben dem Longplayer “Language” auf der “Fractals” CD in den Plattenläden erhältlich. Seit 1995 arbeitet der Gründer Axel Treusch (Endzeit) mit Oliver und Christian Münch (A New Ground) zusammen wobei 1999 beide Bands verschmolzen und im gleichen Jahr das Doppel Album “So Very Distant” erschien. Ein Meilenstein der deutschen Musikszene…”..stell Dir vor, Ultravox, Depeche Mode und Dead Can Dance nehmen eine Platte auf…. das Ergebnis könnte Astrea Redux sein”
Automat are a hypnotic groove trio of veteran German musicians who weave together noirish, jazzy funk, neo psych, and pulsing post Krautrock.Guitarist/electronicist Jochen Arbeit (ex Die Haut and Einstürzende Neubauten), bassist/radio play producer zeitblom (Sovetskoe Foto), and in demand session drummer/programmer Achim Färber (Project Pitchfork, Phillip Boa) began informally playing together in 2011. By early 2012, they were playing live in clubs and growing a wildly enthusiastic fan base. Over the next two years they established an immediate, physical, machine like trance groove that attracted rockers and EDM fans.Their self titled debut album was issued in the spring of 2014 on Bureau B and featured guest appearances by Lydia Lunch, Genesis P Orridge, and Blixa Bargeld.